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Sølvi Ystad, Richard Kronland-Martinet and Kristoffer Jensen
Front matter
1-17
Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches
18-44
Perception of Harmonic and Inharmonic Sounds: Results from Ear Models
45-66
Semantic Contours in Tracks Based on Emotional Tags
67-80
Chunking Sound for Musical Analysis
81-92
Towards a Model of Musical Chunks
93-106
Does Social Interaction Activate Music Listeners?
107-118
Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks
119-133
The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors
134-146
Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives
147-165
Refinement Strategies for Music Synchronization
166-176
Labelling the Structural Parts of a Music Piece with Markov Models
177-195
Tree Representation in Combined Polyphonic Music Comparison
196-206
Interval Distinction on Melody Perception for Music Information Retrieval
207-215
A Learning-Based Model for Musical Data Representation Using Histograms
216-226
Ontological Substance and Meaning in Live Electroacoustic Music
227-242
Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation
243-252
Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity
253-261
KSQuant - Complex Score Manipulation in PWGL through Quantization
262-271
Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP
272-282
An IEEE 1599-Based Interface for Score Analysis
283-284
New Music in the Atomic Age
Back matter
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