Jin-Ho Park interprets Schindler’s “reference frames in space” as set forth in his 1916 lecture note on mathematics, proportion, and architecture, in the context of Robinson’s1898–99 articles in the Architectural Record. Schindler’s unpublished, handwritten notes provide a source for his concern for “rhythmic” dimensioning in architecture. He uses a system in which rectangular dimensions are arranged in “rows.” Architectural examples of Schindler’s Shampay, Braxton-Shore and How Houses illustrate the principles.