Although Joyce does not explicitly acknowledge the presence of Aristophanes, there are more references to Greek comedy in
his fiction than current criticism indicates. Several of Socrates' ridiculous experiments from
The Clouds pop up in
Finnegans Wake. Aubrey Beardsley's illustrations for Samuel Smith's version of
Lysistrata inspire a series of thematically pertinent accusations leveled at HCE. Clever uses of bird names and the Olympian emissaries
to Cloudcuckooland from
The Birds, as well as several clusters of distorted play-titles and the signature chant from
The Frogs also appear in Joyce's final work. References to ancient comedies are worked into “aesthetic” passages in
Stephen Hero and
Ulysses. This largely covert deployment of Aristophanic material, all of it thoroughly irreverent and richly comic, is evidence for
Joyce's wide and creative range of allusion.