Scott O’Dell’s Island of the Blue Dolphins tells the archetypal story of the young, virgin, orphan girl who is vulnerable to either debauchery or rescue. That such a girl must succumb to either one or the other is a necessary element of the archetype. In O’Dell’s work—one intended, after all, for children—the heroine is rescued by a paternalistic figure and re-inscribed into the patriarchal world. Yet, in the hands of young readers, Island—part fairytale, part rescue narrative, part feminist parable—becomes a story of independence and survival, despite the heroine’s “rescue” at the end.