Distance is an integral concept in perspective, both ancient and modern. Tomás García-Salgado provides a historical survey
of the concept of distance, then goes on to draw some geometric conclusions that relate distance to theories of vision, representation,
and techniques of observation in the field. This paper clarifies the principles behind methods of dealing with the perspective
of space, in contrast to those dealing with the perspective of objects, and examines the perspective method of Pomponius Gauricus,
contrasting it with the method of Alberti. Finally the symmetry of the perspective plane is discussed.
Keywords. Tomas Garcia Salgado - distance to the perspective plane - perspective geometry - Pomponio Gaurico - Leon Battista Alberti - optics - perspective in Renaissance art